In the video installation Meddle, the camera functions almost as an autonomous entity, immersed in an environment where technology and the sea engage in dialogue. This visual realization is complemented by the sonic textures of Les Biologistes Marins, whose rhythms and fluctuations amplify an intermedial atmosphere, creating relationships, patterns, and tones that form various connections.

We experience landscapes in transition that resonate, conveyed through images marked by strangeness and singularity.
Connected by a 50-meter red thread, the camera is cast into the sea and its movements, allowing details and multiple perspectives to generate unexpected forms. Here, the artist relinquishes control, letting it fall freely, subjected to random encounters. We observe a tension between medium and de- vice, between water and camera, between what is in focus and what remains blurred.

The linear horizon of the open sea, observed from stable, solid ground, is fragmented and recomposed into a multiplicity of perspectives that shift the gaze toward the edges. While the center tends to capture the most of the attention, it remains in blurry motion in-between emerging spaces. What once marked the boundary between the outside and the inside becomes indistinct, affected by movement, allowing images to surface with subtle details and textures.

Extract of Adriana Monroy Galindo curatorial text.